Open Letter to the AP

An Open Letter to the Associated Press: Respect for Kenneth “Babyface” Edmonds at the 67th Grammy Awards

To the Associated Press,

I am writing to express my deep disappointment regarding the treatment of legendary artist, songwriter, and producer Kenneth “Babyface” Edmonds during the 67th Grammy Awards. While it is expected that media outlets cover such prestigious events with professionalism, the level of disregard shown toward Babyface, a man whose contributions to music are immeasurable, was not only disrespectful but also indicative of a larger issue within the industry failing to honor those who paved the way.

For over four decades, Babyface has shaped the sound of R&B, pop, and soul, crafting some of the most timeless songs and working with an array of legendary artists. His solo career boasts classic albums such as Tender Lover, For the Cool in You, and The Day, featuring hits like “Whip Appeal,” “When Can I See You,” and “Every Time I Close My Eyes.” These records not only topped the charts but also helped define the era.

Beyond his success as a performer, his songwriting and production credits are the foundation of some of the greatest music ever recorded. As a co-founder of LaFace Records, he launched the careers of TLC, Usher, and Toni Braxton, crafting the defining sounds of ‘90s R&B. His pen and production touch are behind hits for Whitney Houston (“I’m Your Baby Tonight”), Mariah Carey (“Never Forget You”), Boyz II Men (“End of the Road,” “I’ll Make Love to You”), Madonna (“Take a Bow”), Brandy (“Sittin’ Up in My Room”), Beyoncé (“Best Thing I Never Had”), and so many more. He is responsible for countless platinum and multi-platinum records, winning 12 Grammy Awards, including Producer of the Year, a feat few can claim.

His influence extends beyond music into film scoring, where he composed and produced for classic soundtracks like Boomerang, Waiting to Exhale, Soul Food, and The Prince of Egypt. His work in cinema not only elevated the films but also became cultural milestones in their own right.

With over 200 million records sold worldwide, countless #1 hits, and an undeniable legacy as a pioneer of contemporary R&B, Babyface is not just an artist he is a pillar of music history. To treat such an icon with anything less than the highest level of respect is not just an oversight, it is an outright failure of journalism.

If you are given the opportunity to interview or engage with a legend, it is your duty to acknowledge their impact and show them the respect they have earned. The music industry stands on the foundation built by artists like Babyface, and their contributions should never be diminished.

Do better. Respect the legends.

Sincerely,

A Music Fan